Little Miss Sunshine as Example of American Independent Cinema Essay

Little Miss Sunshine as Example of American Independent Cinema - Essay ExampleThis enables studios to test more experimental films, taking the more successful of these to greater box office success without risking the reputation of the major sponsoring house. Film expert Bruce Kawin (1992) suggests that the term independent has been used to refer to a wide variety of different types of film. There ar those producers who are completely independent from the major studios, creating their films on their own and then selling studios distribution rights and those who bring in films on home video cameras and attempt to distribute or not on their own, both generally supportive of mainstream social power structures. While these are technically independent films, Kawin and opposites prefer using the term independent film to refer to producers who work outside the mainstream in terms of representation or as a slosheds of strongly questioning the status quo and might instead be called the a vant-garde. As a form of classification, the term independent film has been applied most often to those productions which have an unusual, divergent or quirky character. In attempting to pinpoint the concept of the independent film and its characteristics, some of the more common formal traits of independent films will be identified and then examined as they appear or dont appear within the film Little Miss Sunshine, an independent film that could be argued to represent a form of cross-over event between independent film and mainstream because of its social perspective. ... e common characteristics of independent film in America can include its quirky character, the champion of its message, a sense of innocence and/or irony in this message delivery, unique camera angles creating what might be considered amateur professionalism with carefully orchestrated characters and scenes and a generally lower degree of post-production editing. Thus, independent film can be characterized throu gh its plot, technique, tone and social commentary. By quirky, most film experts intend to mean that the film conveys slightly odd renditions of the familiar mainstream tropes rather than completely radical swings away from what one might expect. These may take the form of an unusual junto of characters, slightly strange variations of relationships or objects or somewhat different methods of presenting the audio or visual material. What is unique about the quirky is that it is, as James MacDowell claims, crucially, a jovial address that requires we view the fiction as simultaneously absurd and moving, the characters as pathetic and likeable, the valet de chambre as manifestly artificial and believable (2010 4). While the world presented in independent film is strange and different, it is still presented as relatively safe and non-controversial. In keeping with this concept, MacDowell says many independent films will include musical scores that carry connotations of sweet and sim ple, high in repetition, higher on the musical register and frequently within a waltz time soupcon as a means of encouraging an association with childhood. A strong connection with the child-like or the innocent is carried throughout the visual presentation as well. However, other experts such as Jeffrey Sconce (2002) claim a strongly ironic or nihilistic approach within the independent